Movie

Synopsis: From "Old School" director Todd Phillips comes a comedy about a bachelor party gone very, very wrong. Two days before his wedding, Doug (JUSTIN BARTHA) drives to Las Vegas with his best buddies... From "Old School" director Todd Phillips comes a comedy about a bachelor party gone very, very wrong.

Two days before his wedding, Doug (JUSTIN BARTHA) drives to Las Vegas with his best buddies Phil and Stu (BRADLEY COOPER and ED HELMS) and his future brother-in-law Alan (ZACH GALIFIANAKIS), for a blow-out bachelor party they vow they'll never forget.

But when the three groomsmen wake up the next morning with pounding headaches, they can't remember a thing. Their luxury hotel suite is beyond trashed and the groom is nowhere to be found.

With no clue about what happened and little time to spare, the trio must attempt to retrace their bad decisions from the night before in order to figure out where things went wrong in the hopes of finding Doug and getting him back to L.A. in time for his wedding.

But the more they begin to uncover, the more they realize just how much trouble they're really in.

Warner Bros. Pictures presents, in association with Legendary Pictures, a Green Hat Films Production of a Todd Phillips Movie: "The Hangover," starring Bradley Cooper ("He's Just Not That Into You"), Ed Helms ("The Office"), Zach Galifianakis ("What Happens in Vegas"), Heather Graham ("Baby on Board"), Justin Bartha (the "National Treasure" films) and Jeffrey Tambor ("Arrested Development").

The film is directed by Todd Phillips ("Old School") from a screenplay by Jon Lucas & Scott Moore ("Four Christmases"). Todd Phillips and Dan Goldberg ("Old School") produce, with Thomas Tull ("Watchmen"), Jon Jashni ("Observe and Report"), William Fay ("Observe and Report"), Scott Budnick ("School for Scoundrels"), Chris Bender ("American Pie," TV's "Kyle XY") and J.C. Spink ("Kyle XY") serving as executive producers.

The creative team includes director of photography Lawrence Sher ("Dan in Real Life"), production designer Bill Brzeski ("The Bucket List"), and editor Debra Neil-Fisher ("Baby Mama"). Music is by Christophe Beck ("What Happens in Vegas"). Soundtrack album is available on New Line Records. --© Warner Bros.

Theatrical Release:Jun 5, 2009 Wide

Synopsis: Ushering in a new era of independent filmmaking in South Korea, DAYTIME DRINKING is a comedy in the spirit of STRANGER THAN PARADISE and SIDEWAYS- but with a distinctly Korean twist. When... Ushering in a new era of independent filmmaking in South Korea, DAYTIME DRINKING is a comedy in the spirit of STRANGER THAN PARADISE and SIDEWAYS- but with a distinctly Korean twist. When a broken-hearted city dweller goes to meet his friends in the countryside for a getaway, he finds that not only have none of them showed up for the trip, but the tiny seaside town is shuttered- no shops are open, no tourists are around, the beach is freezing, and there’s no cell phone signal. Unable (and unwilling) to return to Seoul, in the company of some very unusual locals, and subject to the rigid rules of Korean drinking culture (never decline the first drink, always accept a drink from an elder, etc.), he finds himself on an increasingly strange odyssey nursing a never-ending hangover. --© Variance Films

Genre: Comedies

Starring: Song Sam-Dong, Yuk Sang-Yeop, Kim Kang-Hee, Tak Sueng-Jun

Starring: Song Sam-Dong, Yuk Sang-Yeop, Kim Kang-Hee, Tak Sueng-Jun, Lee Lan-Hee, Sin Un-Seop

Director: Noh Young-seok

Director: Noh Young-seok
Screenwriter: Noh Young-seok
Producer: Moon Hay-Sook
Composer: Noh Young-seok
Studio: Variance Films

Starring : Paul Rudd, Jason Segel, Rashida Jones, Andy Samberg

Starring: Paul Rudd, Jason Segel, Rashida Jones, Andy Samberg, J.K. Simmons, Jane Curtin, Jon Favreau, Jaime Pressly, Lou Ferrigno

Director : John Hamburg

Synopsis : After years of swiping scenes from the leading men in such movies as KNOCKED UP and THE 40-YEAR-OLD VIRGIN, Paul Rudd finally headlines a star vehicle of his own. Unlike those Judd Apatow... After years of swiping scenes from the leading men in such movies as KNOCKED UP and THE 40-YEAR-OLD VIRGIN, Paul Rudd finally headlines a star vehicle of his own. Unlike those Judd Apatow productions, it's John Hamburg (ALONG CAME POLLY) who directs I LOVE YOU, MAN, albeit with many of the touchstones of Apatow's highly successful freaks-and-geeks-with-heart aesthetic. In other words, this is not an Apatow film, but, with the male capacity for--and simultaneous inability to express--fraternal love as its core comic conceit (and emotional centerpiece), it may as well be. Rudd plays Peter Klaven, a real estate agent with a blossoming career and an imminent marriage to Zooey (THE OFFICE's Rashida Jones)--basically, he's lucky in all things except male bonding. The narrative arc centers on his quest for platonic man-love--as opposed to, say, finding the girl of his dreams--and follows the boilerplate dictates of a standard rom-com with a subversive wink. In this case, boy meets boy, boys bond over their common love of Rush and Andre the Giant, boys break up and make up, etc. Rudd and co-star Jason Segel (FORGETTING SARAH MARSHALL), a fellow Apatow alum who plays Sydney Fife, the Type B object of Klaven's affection, imbue their roles with winning charisma and elevate the plot with real and nuanced chemistry. With a whip-smart pace, the film continually tills fresh comic ground as Hamburg finds punctuation points in every scene and never lets a gag overstay its welcome. While the supporting cast features many memorable turns by the likes of Jon Favreau, Jaime Pressly, and Andy Samberg, I LOVE YOU, MAN ultimately belongs to Rudd, who approaches insecurity and social awkwardness with the same dead-eye marksmanship that Peter Sellers did for slapstick.

Synopsis : Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Greg Mottola’s coming-of-age comedy, ADVENTURELAND,... Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Greg Mottola’s coming-of-age comedy, ADVENTURELAND, splits the difference between his commercial breakthrough, SUPERBAD, and his underrated debut, THE DAYTRIPPERS. ADVENTURELAND follows recent college grad James Brennan (Jesse Eisenberg) as he slogs his way through summer as a games attendant at a local amusement park, where he learns about the shady goings-on of the carny’s world and is introduced to an assortment of weirdos, stoners, goons, and other lost souls. Among that last group is the angsty Em (Kristen Stewart), who captures James’s heart despite her involvement with the park bad-boy, a rocker-turned-maintenance-man (Ryan Reynolds) who seduces women with a dubious story about jamming with Lou Reed. Though the movie has its share of vomit scenes and erection jokes, Mottola is surprisingly restrained in his use of gross-out humor (particularly given SUPERBAD’s near Shakespearean vulgarity), with much of the film’s more blatant hilarity coming courtesy of Bill Hader and Kristen Wiig as the park’s completely unhinged yet utterly in love managers. At its core, ADVENTURELAND is really nothing more than a coming-of-age story set in a colorful locale--the monotonous siren call to "Step right up!" compels after-work beer blasts, random make-out sessions, and drunken existential yearning. Yet what in any other film would be played for cheap laughs and easy smiles is here used to conjure the ineffable mystery of a summer romance. Through a mixture of pleasing performances, a nuanced script, and a brilliant soundtrack (featuring the Replacements, Husker Du, David Bowie, and, of course, Lou Reed), Mottola has created a bittersweet delight that will stay with the viewer long after the midway goes dark.